gregory allan
product designer | creative director
who
Born in Africa, I developed an obsession for drawing at a young age, to the point that my pyjamas were covered in marker stains. As I got older I became aware that through creating something, I could invoke a change in people. I've dabbled in producing experimental music, printed t-shirts on my kitchen table, painted and photographed random things all with the objective to change how people feel.
why
Design is the organisation and augmentation of communication with a customer or user. What excites me about it is the way it constantly changes and evolves due to it's hybridization of art, technology and psychology. I enjoy crafting beautiful work, but the best part is putting myself into the shoes of the audience to develop strategic messaging that is convincing and of relevance.
how
I have had extensive experience with the full adobe suite which I have employed to design for print, broadcast, cinema and web, across entertainment, fashion and corporate finance. I take great pleasure analyzing data to understand user behavior to develop a U.X. strategy, that benefits both the user and business.
skillset
In 20 years as a designer, working in both in an agency and in-house environments, I have amassed quite a large set of practical design skills. From print to web to broadcast and even writing the odd bit of music, I can use pretty much every bit of Adobe software there is. I have an excellent understanding of typography, visual hierarchy and gestalt theory in composition. These combined with an understanding of user experience and the relationship between a brand and it’s clientele allows me to see the big picture when it comes to delivering communications through all media channels. On top of all of this I’m not averse to doing a bit of coding and not at all afraid to roll up my sleeves and get my hands dirty.
Upon starting my role as senior product designer at Coniq I was tasked with redesigning the mobile app from scratch. Previously apps were created more less bespoke for clients and the business desired to move to using a SaaS approach.
This case study details the redesign of Coniq's Loyalty and Customer engagement, undertaken to improve user experience and encourage client self-sufficiency.
In 2014 I was handed the initial brand guidelines for the Betway brand and briefed with turning it into a working brand system and implementing it into a marketing campaign methodology and the Betway product itself.
Coniq Mobile Loyalty App
My focus was to craft a mobile app platform that empowers retailers with a comprehensive loyalty program solution, fostering a seamless omnichannel experience for their customers. This scalable SaaS model will ensure efficient deployment, ongoing feature development, and the ability to cater to a wider range of client needs and budgets.
Coniq Loyalty and customer engagement Platform
The redesign of Coniq's Loyalty and Customer engagement, undertaken to improve user experience and encourage client self-sufficiency.
Coniq Branding
For Coniq's brand refresh, I focused on trust & security in their visual identity. A conservative blue & white palette builds stability and confidence, reflecting their data handling. To ensure consistency, I created flexible illustrative design system that could function as infographics describing the process within Coniqs products
BVRNKVLT
Branding and merchandise for On demand sporting goods.
Black Moon1348 Illustration
Logo for, U.K. ambient band Blackmoon1348 A3 pen and ink Illustration.
LIGHT ASYLUM SHALLOW TEARS 12 INCH DESIGN
Internationally released vinyl 12" single For Light Asylums-Shallow Tears Digital photo montage created with Adobe Photoshop, Typograpy and layout in InDesign.
NGX (Nutri-Genetix) Brand Packaging
Inspired by vintage botanicals, our packaging nods to the product's science with a touch of nature. A dusty pink softens the green, creating a gender-neutral appeal
Moon Racer: Gamified leader board campaign
The leader board mechanism has become a staple of the gaming industry (something I introduced at Win Technologies). At Funfair I created a storyline that played on the “To The Moon” catch phrase popular within the crypto community as well as appealing to the communities appreciation for SpaceX and Elon Musk to create a racing game that pitted players against each other.
Boreas: Nordic insurance branding.
Inspired northern origins and his close association with horses Boreas was the purple-winged god of the north wind considered by Athenians as their protector. The logo was inspired by mountains to form the initial B and strong clean masculine typography and deep blues greys to represent honour and trust
Cult and Bloom
An upmarket, botanical-inspired sanctuary in Shoreditch. We leveraged mystery (monograms, shadows) and accessibility (wide audience) to create a welcoming, enchanted escape through reclaimed nature & calligraphy.
Out Of Office: Branding that reflects an escape to tranquility
Concept: We're taking guests on a sensory journey to the Greek isles. Imagine: sparkling whitewashed walls, the calming Aegean Sea, and a hint of ancient history.
Execution: Clean lines, a touch of dusty blue, and understated typography create a sense of serenity. We've curated captivating imagery that evokes a spirit of adventure, with a mindful eye on the emotional impact of color.
Stockholm: Album Cover
Despite being called Stockholm The electro bands home was actually London where the photographs were taken by myself using an old manual Tamron lens on a Nikon D70 playing with the slow shutter speeds and movement to reflect the dynamics of the nocturnal city
Coniq Mobile Loyalty App
My focus was to craft a mobile app platform that empowers retailers with a comprehensive loyalty program solution, fostering a seamless omnichannel experience for their customers. This scalable SaaS model will ensure efficient deployment, ongoing feature development, and the ability to cater to a wider range of client needs and budgets.
Coniq Mobile Loyalty App
My focus was to craft a mobile app platform that empowers retailers with a comprehensive loyalty program solution, fostering a seamless omnichannel experience for their customers. This scalable SaaS model will ensure efficient deployment, ongoing feature development, and the ability to cater to a wider range of client needs and budgets.
Cheltenham: Campaign Creative Direction
Betway landed the Champion Chase sponsorship for the first time in 2016. Working within tight deadlines we built a "breakout" campaign around the previous years winner. I led the artwork creation, and our team cascaded assets – print and experiences first, then online – for maximum efficiency.
Coniq Mobile Loyalty App
My focus was to craft a mobile app platform that empowers retailers with a comprehensive loyalty program solution, fostering a seamless omnichannel experience for their customers. This scalable SaaS model will ensure efficient deployment, ongoing feature development, and the ability to cater to a wider range of client needs and budgets.
Betway's "Know the Score" Interactive Kiosk
Betway's Know The Score game promoted the brand at West Ham's new stadium and collected fan data. Played on tablets, it engaged fans with a jackpot chance and avoided copyright issues by using implied team references.
Betway Branding and Design System
Following Win Technologies' acquisition of Betway in 2014, I led the brand's re-invention. In just 3 months, we built a design system – a rulebook, asset library, and workflow – empowering internal teams to craft consistent, cohesive marketing materials across all platforms. To further optimize asset usage, we transitioned the system online using a Bynder-based DAM, enabling self-service for marketing managers and accelerating content creation.
Hippodrome direct mail campaign
When hippodrome launched their online casino I was briefed to create a direct mail campaign to target their land-based casino members. Armed with their brand guidelines and the knowledge that the image their audience was more discerning than your average pub slot machine player, I used an emotive quote from Virgil and a detail of a roman bust depicting Octavian - Augustus.
Maildoc Branding
Maildoc was a company that specialized in delivering direct mail campaigns, but not only did they do fulfilment but they also did due diligence on targeted recipients. I was briefed to create the branding for the company that represented a savvy yet friendly corporate image. They have since been acquired by a larger CRM company.
Zambezi Queen VIP campaign
Working with the VIP CRM team I was briefed to create a campaign promoting a chance to win a luxury cruise on the Zambezi Queen. The campaign was a simple opt-in mechanism aimed at the high-end clientele of Spin Casino.Coniq Mobile Loyalty App
My focus was to craft a mobile app platform that empowers retailers with a comprehensive loyalty program solution, fostering a seamless omnichannel experience for their customers. This scalable SaaS model will ensure efficient deployment, ongoing feature development, and the ability to cater to a wider range of client needs and budgets.
Hitchhiker’s Guide to the Galaxy Interactive TV Advert
Before the rise in popularty in of smart phones thanks to 3G connectivity becoming more affordable interactive T.V. adverts were used for a brief period to engage consumers on mass media.
Design challenges included low resolution display possibly viewed at a longish distance, very simple navigation via remote control and video was on perpetual loop rather than served of on demand.
process
Typically my process for projects kicks off with a meeting with the stakeholder to define base parameters and objectives of the project. Where possible I will have the relevant designers & copy writers accompany me to the meeting, as this helps them build a rapport with the stake holders and gives them a sense of ownership. The meeting I will define the following for the brief 1: Who is it for: Identify Target audience, 2: What is on offer: What does the audience have to gain from the campaign, 3: Why are we offering this, what is our objective as a business.
- I will then collate the preliminary research a brief as well as a list of all the assets, the contexts the creative will be expected to perform setting milestones for presentation of rough concepts, semi-complete work, complete work before final rollout
- I will task the design & copy teams to research what the audience is currently identifying with, are there any trends or memes on social that resonate with the audience & that we could potentially use a vehicle for our campaign, identifying language, imagery, typography & colour palette they would be drawn to. I will also ask them to collect examples of competitors
- Using the research in the previous steps in a brain storming session to generate 3 narrative concepts, we would flesh out rough copy, scamps, mood boards & storyboards.
- These are then presented to the stakeholder for them to select the one they think has the most potential.
- The selected creative is then worked up to a semi-finished state using assets from 2 or 3 different channels to illustrate campaign consistency
- This is then presented to access if we need to do any further fine tuning. I’ve never really had more than two rounds of changes, and usually this is down to things like offers and translations changing etc.
- Once the stake holder is happy the master artwork is finessed and then all the assets for the various channels are created
How much time I spend on a campaign is down to the expected ROI which I define by lifespan, the campaign the audience size and the audience value.
Branding
Bespoke identity solutions and design systems tailored to meet your requirements. Market research, sketching, grids, concept development, material usage, asset creation, execution, brand guidelines.
Graphic Design
Creating engaging layout compositions of image, colour and typography for large format, exhibition and printed collateral. Print processes and material knowledge. Quality production finishing
;Digital Design
Responsive web design, prototyping, wireframes, animation for out of home and web banners, E-mail templates, digital asset creation and development. Digital art direction.
Typography
Experimentation, typesetting, crafted lock-ups for advertising campaigns. Developing type treatments that compliment artwork for effective message delivery.
Advertising & Social Media
Developing engaging visual narratives to run across multiple touch points through, posters, out of home, web-banners, POS, social media and landing pages.
Motion Graphics
Motion tracking, kinetic type 3D CGI, for social, Youtube, twitch and broadcast.
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Complexity In Experience Design: A Social Consideration.
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